Bookbinding services at Studio 5.

Studio 5 Bookbinding services 2015

STUDIO 5 Bookbinding Services Price Guide 2015

Books (A4)
Full buckram/cloth/nubuk	from £65
Quarter goatskin binding	from £130
Half goatskin binding	from £170
Full goatskin binding	from £270
Hand sewn headbands	from £20
Edge colouring	from £20 an edge
Decorated endpapers	from £15
Title/Blocking	from £17.50
Portfolios
Approximate sizes	Buckram	Leather	Goat Skin
A4 / 10" x 12" Portrait	£170	£230	£280
A4 / 10" x 12" Landscape	£185	£255	£305
11" x 14" Portrait	£210	£290	£340
11" x 14" L/S A3 Portrait	£235	£325	£375
A3 L/S 16" x 12" L/S	£260	£380	£420
Super A3 17" x 14" Portrait	£275	£405	£455
Super A3 Landscape	£295	£435	£495
A2 Portrait	£370	£520	£590
A2 Landscape	£400	£560	£640

Blocking	from £30


3 - Piece Pillar Binding
Approximate sizes	Buckram	Goatskin/Pigskin	Morocco
A4 / 10" x 12" Portrait	£140	£200	£250
A4 / 10" x 12" Landscape	£155	£225	£275
11" x 14" Portrait	£180	£260	£310
11" x 14" L/S A3 Portrait	£205	£295	£345
A3 L/S 16" x 12" L/S	£230	£350	£390
Super A3 17" x 14" Portrait	£245	£375	£425
Super A3 Landscape	£265	£405	£465
A2 Portrait	£340	£490	£560
A2 Landscape	£370	£530	£610

Drop back boxes
Approximate sizes	Buckram/Nubuk	Goatskin/Pigskin	Morocco
A4	£180	£240	£340
12" x 10"	£190	£260	£360
14" x 11"	£210	£290	£400
A3	£250	£350	£500
A2 24" x 18"	£340	£520	£670

Slipcases	from £70

Photograph Albums	12" x 11" with 30 black leaves
Full buckram	from £150
Quarter buckram	from £160
Half buckram	from £170
Quarter leather	from £190
Half leather	from £220
Full leather	from £350





All prices are guide prices dependant on order size

Mark Cockram

Mark was elected Fellow of Designer Bookbinders in 2001 and Brother of the Art Workers Guild in 2008. Member of the Society of Bookbinders and the Tokyo Bookbinding Club. After studying art and design at Lincolnshire College of Art, Mark worked as a free lance artist and designer. He discovered his passion for bookbinding and book arts whilst working in Paris. After graduating from the bookbinding course at Guildford College of Technology (Diploma in Fine Bookbinding & Conservation), he went on to study Japanese bookbinding and related subjects at 'Studio Livre' Tokyo and London College of Printing (BA (Hons) Book Arts and Crafts). Mark opened his first bookbinding studio in Lincoln in 1992 and Studio Five, London in 2003. He works in fine contemporary bookbinding, book restoration, book arts, printing and box art. Teaching various aspects of bookbinding, restoration and book arts in Studio Five, the UK, France, USA, India, the Philippines and Japan. His work is eclectic, once being described as the Christian Lacroix of bookbinding. Mark's diverse work is represented in public and private collections around the world, including the British Library and The New Museum of Liverpool. Since being elected Fellow of Designer Bookbinders he has been a regular Man Booker Binder.

Mark chooses to work within the traditional concept of book restoration whilst expanding into Contemporary restoration practices.

When restoring books in the traditional sense Mark tries to be as sympathetic to the book as possible. To keep as much of the original binding as is practical without loosing the intrinsic nature of the book. Hand dying leathers or staining papers to blend in, to let the book retain the grandeur of a bygone age for future generations to enjoy.

Contemporary restoration blends the old with the new. Much as an architect would design an extension to an historical building that highlights the marriage of the old and the new, so Mark works with the book. Contemporary Restoration allows the restored book to be reintroduced into the modern era.

A major theme of recent work has been to make more from less, to engage in up-cycling materials to make books. It is hoped that this research will lead to a more sympathetic way of working with the book, viewing the book; its' structure, manipulation use and enjoyment.

Bookbinding services at Studio 5.

Studio 5

Monday 9 March 2015

No comments:

Post a Comment

Blog Archive